14 posts categorized "sports"

06/12/2009

Down goes 'Tyson'

By his own admission in James Toback's documentary "Tyson," the former heavyweight champ grew up fat and fearful on the mean streets of Brooklyn, New York.

"It was kill or be killed," Tyson says.

Not many people are going to admit that doing some juvie hard time did them a world of good.  But Mike Tyson will.  He learned to take out his anger/frustration/fear and loathing (and probably more) in the boxing ring as a teen-age prisoner in upstate New York.

"Tyson," a heavyweight, hard-hitting documentary, features not one, but two bloodied Evander Holyfield ears (chomped on by Tyson in a particularly brutal) rematch in 1997).

Toback, an accomplished filmmaker with "When Will I Be Loved," "Two Girls and a Guy" and "Black and White" on his list of credits, tries something daring and unconventional. 
 
This is a nonfiction roller coaster ride through fame, a gladiator-like mentality and, on all-too-regular occasions, the ride stop off in the  darkness of life's house of horrors.

My first thought was that Toback was letting his subject just sit on his couch and blabber too much in that familiar high-pitched lisp that belies a body sculpted (in Tyson's prime, at least) in right angles.

Listen to what the former champ is saying, though, and the filmmaker is correct in his assessment that Tyson, despite his obvious brutal approach in the ring and out, is also a desperately lonely and complex man. 
 
And, believe it or not, he also comes across as a deep thinker.

"I had no idea I'd live to be 40-years-old," he admits at one point.  "It's a miracle."

The documentary itself, shot in 2007 long before Tyson's young daughter died in a freak treadmill incident, weighs in at something less than championship status, however.

Toback's attempt to bring Tyson's complex nature to life by using two cameras and overlapping images (and even dialogue at times) distracts more than it registers as creative inspiration.

I'll say this, though.  "Tyson" pulls no punches.

Archival fight footage and Tyson's comments on what was going on in his life and in his head at the time have almost as much bite as the bloody teethmarks in Evander Holyfield's ears.

05/29/2009

'Sugar' is bittersweet and best off the ball field

More a tale of immigration and coming-of-age than a baseball drama, "Sugar" reaches its most compelling dramatic sweetness off the baseball field.

The filmmaking team of Anna Boden and Ryan Fleck, who penned the script for Ryan Gosling's breakthrough drama "Half Nelson," take charge of direction as well in this truthful portrayal of the quest for fame and fortune.

In this case, however, the lead character's ability to play with the big boys in the U.S. minor leagues amounts to more than merely making a baseball team.

Miguel "Sugar" Santos (newcomer Algenis Pérez Soto), a promising pitcher from a small Dominican Republic village, has more riding on his career than, say, some middle-class kid from El Norte with a flame-thrower arm might.

"Sugar," in Spanish and English with some subtitles, made me think of "El Norte" (1983). Both investigate the human issues of immigration from an alien's perspective as a central theme.

Gregory Nava's moving tale of Mayan Indian peasants who arrive in Los Angeles and try to scrape out a living involved a sister who worked as a maid and her brother. He cut grass.

Sugar, portrayed with an excellent balance of false bravado and desperation by first-time actor Soto, arrives at the fictional Kansas City Knights spring training camp in Arizona on a visa.

From the moment he walks out onto the manicured field, Sugar discovers that everyone in camp was a phenom where they came from. The clock is ticking both on Sugar's visa and his fragile psyche.

I don't recommend this drama based on the baseball playing alone. Soto, who played ball in his native Dominican Republic (as an infielder), never made the cut to attend the same baseball academy grooming camp that serves as a springboard to the U.S. for his character.

Anyone who follows baseball will notice that the ball never arrives at the plate with the zip gifted minor league achieve.

Yet off the field, "Sugar" impresses with solid acting, some beautiful scenery and an honest story arc rarely dared in narrative feature films.

 


05/15/2009

A dark comic fable from the other Cuarón

Playful and darkly comic, "Rudo y Cursi" shouldn't just be thought of as the film that reunites Gael García Bernal and Diego Luna.
Hopefully, this hard-hitting fable from Mexico will be recalled as the first feature-film directing effort from Oscar-nominated screenwriter Carlos Cuarón.

In Spanish with subtitles, "Rudo y Cursi" ("Tough and Corny" for non-Spanish speakers) makes the most out of the natural chemistry between the two childhood friends who shared the screen in "Y tu mamá también" ("And Your Mother Too") in 2001.  Carlos's older brother Alfonso ("Children of Men") directed that one.  The Cuarón brothers shared the screenplay Academy Award nomination.

"Rudo y Cursi" doesn't quite cast the same kind of magical cinematic spell of "Y tu mamá también."    

What it does do, however, is reinforce two notions:  Bernal ("Babel," "Bad Education") and Luna ("Milk," "Frida") do ooze extraordinary, natural ease when they share a screen.  Secondly, Carlos Cuarón should venture into the directing chair again soon.

Beto (Luna) and Tato (Bernal) work on a banana farm in a small Mexican village.  Both have dreams of leaving their dusty rural life behind and both excel at soccer.  When a soccer talent scout (Comedian Guillermo Francella of Argentina) drops by, he offers to take Tato under his wing and get him on a professional team in Mexico City.  The plot thickens when Beto gets his shot as well.

Since what Cuarón, who penned his own script, is building here is a dark comic fable, what Tato really wants to do is become a big singing star, even though his talent is marginal at best.

Uneven in tone at times (alternating between comedy and crime-drama), "Rudo y Cursi" wisely doesn't spend much screen time on a soccer field.
So don't go if all you're after is a sports comedy.  Cuarón's initial effort with total control as writer and director speaks more of the human condition.  And the condition of these humans is pretty out-of-bounds at times.

Cuarón is still gaining confidence as a director.  I'll look forward to his sophomore effort.



04/24/2009

Jones tackles feelings of vintage game


There's a gripping fascination that locks in when Tommy Lee Jones speaks on a movie screen.  We've seen his powerful screen presence over and over in stunning performances.  Most recently in "No Country for Old Men" and "In the Valley of Elah."

Jones, San Antonio's Academy Award winner-in residence, brings something we haven't seen to the screen in Kevin Rafferty's enthralling documentary titled "Harvard Beats Yale 29-29."

Jones brings himself.

I'm not sure how Rafferty got Jones to open up like this, but his verbiage about playing offensive tackle for Harvard in late November, 1968 against the favored Yale team is about as good as documentary monologues get.

On the down side, Jones is joined on screen by others recalling the game.  All pale in comparison to the crisply eloquent Jones.  Some are downright boring; talking heads that the filmmaker should have trimmed back a bit.

The subject matter couldn't be richer as discussion fodder, though.  Yale and Harvard are undefeated for the first time since 1909 as they kick it off in Harvard Stadium.

Yale's quarterback, Brian Dowling, hasn't lost a game since the 7th grade.  His halfback, Calvin Hill, will soon be headed to the Dallas Cowboys and future Oscar-winning actress Meryl Streep is probably somewhere in the stands.  She was dating the Yale fullback at the time.

Al Gore's roomie Jones and the rest of the Harvard teams hangs tough.  The result is a college football game for the ages, and an often-fascinating look back by those involved.  Rafferty ("The Atomic Cafe") does a fine job of injecting vintage game footage to heighten the tension.

Jones, speaking in his familiar matter-of-fact manner, sums up his inner-emotions perfectly when he talks about taking of his "hat" after the final whistle blows.

"Harvard Beats Yale 29-29" isn't for everyone, just those who enjoy reality cinema that truly mines the soul.