2 posts categorized ""Saturday Night Live""

05/21/2010

'MacGruber' is funny, outrageously raunchy

"Ninety minutes, MacGruber!"

That was my admittedly negative thought going into the screening of "MacGruber" Thursday night.  

My skepticism about turning yet another three-minute "Saturday Night Live" skit into a feature film soon segued into:

"Hey, this is around-the-bend goofball fun, but it's also -- how can I delicately put this -- NASTY!"

Raunchier than "The Hangover," which is no easy feat, "MacGruber" fills the screen with Will Forte as the seriously off-kilter, bull-headed action hero with a carry-over '80s mullet hairstyle and -- at least once -- a stalk of celery up his arse.

I told you it was raunchy.  Forte co-wrote the devilishly raucous script with "SNL" writers John Solomon and Jorma Taccone, who makes his feature film directing debut.

"MacGruber" offers no pretense of Academy Award campaigns to come, or even an attempt to be taken seriously.  The aim here is silly fun in the outrageous "Austin Powers" mode.   From this aisle seat, it's the most entertaining "SNL" skit supersize since the late John Belushi and Dan Aykroyd hit the big-screen road as "The Blues Brothers" 30 years ago.

Ten years after his wedding and his bride Casey (Maya Rudolph) blew up in his face, gadget special operative MacGruber is lured out of a South American monastery by his old commander, Col. Faith (Powers Boothe).  MacGruber agrees to leave behind his decade of peace for two reasons:

His old nemesis, black market arms dealer Dieter Von Cunth (Val Kilmer), has stolen a missile with a nuclear warhead and is up to no good.

Also, the kids of the South American village, whom he believed adored him, tell MacGruber to "go s%&)$ himself."

It's that kind of lovingly sarcastic movie, folks.  This kind of over-the-top silliness may not be your cup of cinematic cappuccino.  If it is, however, the trio of creative minds behind this nonsense spare no raunchy laugh, pratfall or nudie gag along the way.

Forte, a solid member of the current "Saturday Night Live" troupe, appears right at home in the shaggy MacGruber wig and the bumbling persona.  This special ops hero prefers gadgets to guns, but he's not above going for the throat to drive the humor home.  And you can take that throat reference literally.

Ryan Phillippe ("Flags of Our Fathers," "Crash") makes the most of his chance to flex comic muscles as Lt. Dixon Piper, MacGruber's reluctant comrade in arms.

Kristen Wiig, the finely tuned comic engine that makes "SNL" worth watching after 35 years, excels here as Vicki St. Elmo, MacGruber's assistant.  The writers are smart enough to allow Wiig enough screen time to explore hilarious nuance in a character that only sets up the time line in the TV skits.  By the way, the love scene in this film is the funniest I've seen since Woody Allen got horizontal with Diane Keaton in "Play It Again, Sam" in 1971.

"MacGruber" is far from a perfect film.  The dialogue is stilted at times.  And even though the actors appear to be acting in a skit from time to time, it never feels like the "MacGruber" skit from "SNL" stretched thin to an hour and a-half.

In fact, when Vicki calls out "Three minutes, MacGruber" to the anti-hero, you might just feel like you're sharing a dark room with an old familiar friend.

03/20/2009

I love 'Man,' man

We’ve all had our share of romantic-comedies.  There’s nothing wrong with the well-worn boy-meets-girl scenario.

It’s just been done and done and done some more.

Here’s some good news for comedy fans.  “I Love You, Man,” starring Paul Rudd and Jason Segel, ushers in something new.

Are you ready for the “bromantic” comedy?

Well, you should be, especially if you like bawdy comedy, big laughs and bottom-feeder material that won’t insult your intelligence.

Rudd (“Role Models”) and Segel (“Forgetting Sarah Marshall”), who appeared with Seth Rogen in “Knocked Up,” share the screen with Rashida Jones, a talented TV actress (who has appeared on “The Office”) making a strong impression on the big screen.

“I Love You, Man,” written and directed by John Hamburg (“Along Came Polly”), comes out of the chute looking like a typical romantic-comedy.

Somewhat shy L.A. realtor Peter Klaven (Rudd) asks Zooey (Jones), the girl of his dreams, to marry him.  She says yes and babbles the news, as well as intimate details about their relationship, to her gaggle of best gal friends.

It isn’t long before Peter realizes that he’s going to be a few groomsmen shy at the wedding.  In fact, he’s so short of male friends that he can’t even come up with a best man.

Enter Sydney Fife (Segel), an outgoing cool guy who lives down at the beach and seems to know everyone.  Peter and Sydney become fast friends, even though they’re as different as any “Odd Couple” Hollywood has ever touted on a movie or TV screen.

Zooey, very happy to see her fiancé expand his realm of friends at first, begins to resent the newcomer who has quite an influence on her husband-to-be, maybe.

Even though it’s full of often extremely crude sexual references, “I Love You, Man” earns audience acceptance through clever lines, new situations and excellent acting all around.

Rudd, Segel and Jones are out front, of course, but this is at times an inspired ensemble piece spilling over with excellent support.  Jaime Pressly (“My Name Is Earl”) and Jon Favreau (“Swingers,” director of “Iron Man”) are show-stoppers as a bickering married couple.  Also, Andy Samberg (“Saturday Night Live”) impresses as Peter’s gay brother, and J.K. Simmons (“Juno’s” dad) has some excellent brief scenes as his father.

I laughed out loud more than once at this raunchy comedy-with-a-twist.

I say bring on more bromantic-comedies if they’re going to be as good as this.