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10 posts from April 2010

April 28, 2010

A goofy actor gets the giggles, goes boom

Furrybig
(Summit Entertainment)

Brendan Fraser was falling-down-sober (I think) when he joined Brooke Shields recently at a posh North Dallas hotel to beat the publicity bushes for "Furry Vengeance."

According to Fraser, a sometimes semi-goofy leading man ("Dudley Do-Right," "The Mummy" franchise) but serious last time out opposite Harrison Ford in "Extraordinary Measures," he was (way) under the influence of a trendy energy drink.

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Brendan Fraser and Brooke Shields in "Furry Vengeance."  (Summit Entertainment)

Shields, desperately attempting to derail Fraser's unrelenting giggly rant, tried to take the Red Bull by the horns without success.

In addition to playing a real estate developer infringing on the natural habitat of various animals on the edge of an Oregon forest, Fraser also serves as executive producer of the silly man-vs.-animal family comedy.

The script didn't come across Fraser's desk.  That's so Hollywood old school.

"It came across my Kindle (electronic book reader)," he says.

He was attracted to the project because of what he calls the fun factor.

"I miss fun.  Fun never writes, never calls," he giggles, about the time he falls backward onto the floor in his chair.

"This is kind of what I do.  Whoa!"

"This is a funny movie," he continues.  "Bring Grandma.  Come one, come all.  We're going to have a good time."

His character, Fraser contends, has a "dufus vitamin" in him.  On this particular day, the 41-year-old Indianapolis native appears to be packing his character's vitamin stash.

Fraser portrays Dan Sanders, a decent enough guy who has transplanted his family (Shields as wife Tammy) to the Oregon forest to oversee a supposedly "eco-friendly" housing development.

It's not and Dan becomes the target of forest animals who have apparently had enough human encroachment.

Fraser's rambling and the giggles grow louder, so Shields steps in to explain the obstacles involved with the production.

"I think part of what happens when you read a script like this, from what we've talked about, is how do you end up doing this," she says.

"I think it's how do you do a movie when they're not going to make the animals talk, where you're going to get a good message where you have characters that actually have a flushed-out place to go, where you're not just going to have the perfunctory wife, or girlfriend or next door neighbor or whatever and you're not going to do any condescending in your humor and you're going to appeal to kids and adults," Shields adds.

Surprisingly, none of the human actors had any contact with the animals.

"I did not touch a living creature, nor did she," Fraser offers.

"We shot with something called Red Camera, which is basically a digital camera.  It can emulate all different stocks and footage.  It won't run out.  Primarily, it's used because there's a lot of compositing going in.  In other words, the creation of these creatures are going to be put in interacting with human beings.  It made it easier for them from a technical standpoint."

"There was a movie (with animals) being shot simultaneously," Shields says.  "They had an entire crew and animals being sent there months prior to our getting there (to the Massachusetts location).

"Some of them were born during the period of time there was training.  They got married, had little baby raccoons.  They also didn't want too much interaction with us to compromise their training.  They didn't want any bonding to happen that was independent of what they needed," she adds.

"Furry Vengeance," opening Friday, turns out to be right up Fraser's goof-ball alley.  He's sprayed by vengeful skunks more than once and has an on-going battle with a crafty raccoon.

So how did he and others share scenes with animals that didn't actually interact with the actors?

"We worked with stuffies, stuffed animals," he says.  When his character gets slapped around by a furry creature, for instance, the raw footage involves Fraser taking it on the chin by little paws attached to chopsticks.

It's that kind of silly comedy, and that kind of silly, long interview day.

April 27, 2010

'The Ring' a-ding 3 opts for 3-D

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(Courtesy:  DreamWorks)

The creepy little girl who died a grisly death in a well and tends to crawl out of TV sets to vent her revenge in "The Ring" made my skin crawl enough in the standard 2-D, flat format.

Now comes word from an article posted on the Hollywood Reporter Web site that Paramount -- "combining two of Hollywood's consuming passions, sequels and 3-D" -- is moving forward with a third installment in the Americanized version of the horror-thriller franchise.

"The third entry based on the Japanese horror movies is being called 'Ring 3-D.' David Loucka, who wrote the now-shooting thriller 'Dream House' for Morgan Creek, has been tapped to pen the script," the article states.

For those who don't remember the first time the Americanized version re-booted the 1998 Japanese horror gem in 2002,  Naomi Watts was out front as a journalist trying to get to the bottom of an urban legend about a videotape:  Watch it and you die seven days later.

No word yet if the deadly videotape will be updated to DVD status in the new film.

April 22, 2010

'Avatar,' 'Lovely Bones,' 'Crazy H.' at vid stores

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Jakesully (Sam Worthington) learns the Na'vi ropes in "Avatar."  (20th Century Fox)

It may be Earth Day on the calendar, but it's other-worldly week at the DVD/video stores.

"Avatar," which lost Oscar's Best Picture race to "The Hurt Locker," joins "The Lovely Bones," "Crazy Heart" and "The Young Victoria" as they all make their small-screen DVD debuts this week.

James Cameron's first narrative feature since Academy Award winner "Titanic" in 1997 was, in my humble opinion, the best film of 2009 because it was such a monumental step forward in special effects.  Click here to read my "Avatar" review.

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Saoirse Ronan as Susie in "The Lovely Bones."   (DreamWorks Studios)

Peter Jackson's "The Lovely Bones" was rich in special-effects as well.  From this aisle seat, it's a drama-fantasy stuck in an in-between, much like lead character Susie (Saoirse Ronan) who hovers between Earth and the beyond after being murdered by a neighbor.  For my full review, click here.

Take "Crazy Heart" home and you'll be watching the reigning Best Actor Oscar winner.  Jeff Bridges croons his own country tunes as down-on-his-luck road warrior Bad Blake.  It's a fine performance.

I just prefer this story when it was titled "Tender Mercies" (with Robert Duvall) in 1983.  Click here for my "Crazy Heart" review.

Emily Blunt takes center stage as a teenage lady queen in waiting in "The Young Victoria."  No one can touch Helen Mirren or Cate Blanchett when it comes to historical British royalty.  Blunt gives it a spirited go, however.  Click here for my "Young Victoria" review.

April 19, 2010

The Weinsteins want Miramax back

B&H300 Did Harvey and Bob Weinstein have their fingers crossed when they sold Miramax to Disney for $83 million in 1993?

Probably not.  Somehow, though, the mini-studio that had much to do with propelling the careers of Quentin Tarantino, Robert Rodriguez and others seemed eerily out of sync without the Weinstein's' driving force.

That could soon change.  According to an exclusive article posted on the Hollywood Reporter Web site, movie mogul brothers Harvey and Bob are about to flex some financial muscle.

"Miramax founders Harvey and Bob Weinstein had been building enough financial muscle to put together an offer of $600 million or thereabouts, seeking to top bids from such rival suitors as businessmen Alec and Tom Gores and a more controversial one from Hollywood wheeler-dealer David Bergstein," the article reports.

Photo:  Bob, left, and Harvey Weinstein.  (Courtesy:  WireImage.com)

  

April 13, 2010

Hey buddy, wanna buy a 'Pirate' DVD?

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DJ royalty Gavin (Rhys Ifans) boards the "Pirate Radio" boat.  (Photos courtesy:  Focus Features)

Back in mid-November, fresh off a screening of the nostalgic British rock 'n' roll comedy "Pirate Radio," I got a little nostalgic myself. 

Poster200 "Pirate Radio," blasting away at your neighborhood DVD store beginning today, rekindled my love for personality rock radio, which has now faded into oblivion, I'm afraid.

"I was a closet teen rocker back then.  Theater of the mind, that exciting collision of ballsy rock music, a talented DJ's audience manipulation and anticipation of a wild, free unknown, blew my mind night after night.  I didn't just want to listen to the audacious magic, either.  I wanted to be a part of it.  And I was, sort of," I wrote in my review.

"Pirate Radio," an audacious R-rated comedy of '60s music and sexcapades, is directed by able filmmaker Richard Curtis ("Love Actually"). 

If you love classic rock 'n' roll and, especially if you appreciate the exceptional acting talents of Oscar winner Philip Seymour Hoffman ("Capote"), Rhys Ifans ("Greenberg") and the great Bill Nighy (Viktor in the "Underworld" franchise), pick up a copy of "Pirate Radio."

And when you get it home, CRANK IT UP!

Click here for my full review. 


 

April 12, 2010

Hollywood going ga-ga over 'goo-goo'

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Zoe (Jennifer Lopez) has a "Back-Up Plan." 

(Courtesy:  CBS Films Inc.)

Spring is in the air and movie screens are about to fill up with baby faces.

If you ask Paul Bond, writing an article on the Hollywood Reporter Web site about the slew of baby movies coming up, we might just be able to blame (or thank) that cutie pie on TV in the eTrade commercials.

He's not headed for the big screen.  But plenty other newborns and toddlers are.

The appropriately titled infant-following documentary "Babies" is prepping for a Mother's Day Weekend opening on May 7.

First out of the chute, though, is the comedy "The Back-Up Plan," which flip-flops the traditional dating-marriage-family order.

Jennifer Lopez is out front as Zoe, a woman who decides it's taking too long for Mr. Right to come along.  Once she launches the plan to become a single mother, along comes the man (Alex O'Loughlin).  The "What do I tell him" comedy opens April 23.

The cinematic baby watch also includes "The Switch," co-starring Jennifer Aniston, Patrick Wilson and Jason Bateman, "Life As we Know It" (Katherine Heigl, Josh Duhamel) and others.

Click here to read the entire Hollywood Reporter article. 

April 08, 2010

'Great Day SA,' we have a 'Hot Tub' winner

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(Courtesy:  KENS-TV)

Friday will be a great day in S.A., for me at least.  And we'll get to the "Hot Tub" winner in a minute.

I'll be returning to a city I love on Friday morning to talk about movies as a guest on KENS-TV's "Great Day SA" in the 9 o'clock hour.

San Antonio, as many of you know, is where I managed to make a living reviewing movies and interviewing movie stars from 1983 until 2009.

In case you're keeping score:  Two major daily newspapers, three network TV stations and numerous radio stations (with a special shout-out to my old MAGIC 105.3 friend and morning show host Sonny Melendrez). 

In fact, I still toil away for San Antonio movie devotees on the very Web site you're reading right now.  (You are reading, aren't you?) 

I'm looking forward to chatting about movies ("Date Night," "The Runaways," "Clash of the Titans" and more) with Bridget Smith, the rest of the "Great Day SA" gang and, of course, you if you're kind enough and/or curious enough to tune in.

Did I mention "Great Day SA" lights up the San Antonio CBS airwaves at 9 a.m.?

We have our 'Hot Tub Time Machine' contest winner

"Well, it all happened about 15 yrs. ago when I was traveling to Missouri in the dead of winter to make a presentation on an education related issue," Mary Alice Smallbone of San Antonio wrote in this site's "Hot Tub Time Machine" contest.

I asked readers for their best hot tub story during the week that the silly comedy "Hot Tub Time Machine" opened.  Many told me they had a hot tub story.  They just preferred not to share with the world.

Mary Alice, who wins our 4-jalapeño salute as well as a Movie Memories with Larry Ratliff coffee mug stuffed with popcorn and candy, shared, and it's a great story:

"I was with a co-worker, and when we arrived at the hotel, I was excited to hear that they had a dynamite hot tub in their pool area," Mary Alice wrote.

Click here to read the rest of the story.  

April 07, 2010

Bullock breaks silence about alleged sex tape

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(Courtesy:  Warner Bros.)

It's not often that I feel sorry for wealthy, talented, gorgeous movie stars.

The rumor of a sex tape involving Oscar-winning actress Sandra Bullock and doghouse-residing husband Jesse James, however, was especially hurtful and distasteful, even for a grizzled cynic like yours truly.

The World Wide Web, a hungry mosh pit of information and misinformation constantly in need of a juicy tidbit to hoist above the crowd and pass around the digital blogosphere, began buzzing about "the tape" a few days ago.

I won't get into the grisly details here.  Just know that there were Nazi references and the mention of, shall we say, less conventional love-making.

It was nasty enough, in fact, to force a Best Actress-in-hiding to break her silence.

"There is no sex tape," Bullock told People magazine yesterday, according to an item posted on the People Web site.

"There never has been one and there never will be one," Bullock added.

April 05, 2010

3-Duh! You may be paying for a retrofit

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Perseus (Sam Worthington) gets a snakehead's up from Medusa in "Clash of the Titans."

(Warner Bros. Pictures)

If you shelled out the extra bucks for the 3-D glasses and helped the "Clash of the Titans" remake set an Easter weekend box-office record with north of $60 million, here's something you might not have known going in:

"Clash of the Titans," starring Sam ("Avatar") Worthington as Perseus the Kraken-battling son of Zeus, was a 3-D conversion.  That means the special-effects heavy fantasy adventure wasn't originally made in 3-D, as "Avatar" was, but sent back to the lab for a 3-D upgrade before hitting movie houses.

Debating tongues are beginning to wag in Hollywood and in the movie industry in general about the practice.  In my review (Click here to read), I suggested saving a few dollars by viewing the film in traditional 2-D because 3-D doesn't enhance the movie's big action moments substantially.

Carolyn Giardina, posting an item on the Hollywood Reporter Web site, says that some adverse reactions "might threaten to put the brakes on the conversion -- and possibly even derail the runaway 3-D train."

Click here to read the entire article.

April 01, 2010

Crafting a highbrow dope tragicomedy

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Tim Blake Nelson, left, and Edward Norton (as Brady) on the "Leaves of Grass" set.
(Firstlook Studios)


EDITOR'S NOTE:  I first posted this interview with Edward Norton and Tim Blake Nelson on April 1st.  The "Leaves of Grass" opening was postponed a couple of days later.  The offbeat, crafty dark comedy finally hits movie screens this Friday (Sept. 24).  So, ladies and gentlemen, may I say "'Leaves of Grass' interview, take two!"

“Leaves of Grass” is not your usual stoner comedy.

And Oscar nominee Edward Norton and writer/director/co-star Tim Blake Nelson, who took a seat in a Dallas Hotel conference room to face a gaggle of entertainment writers recently, are anything but your average dope comedy leading man (twice, in fact) and filmmaker.

Norton, of course, is an accomplished actors’ movie star.  A chameleon who digs deep within movie roles, Norton has been twice nominated for Academy Awards; for “Primal Fear” in 1996 for “American History X” two years later.

In “Leaves of Grass,” originally scheduled to open in selected cities April 2 but delayed until this weekend, Norton takes on an acting challenge he calls “fun.”  He plays identical twins.  They appear to be worlds apart, but may not be so different after all.  Bill Kincaid is an Ivy League college philosophy professor.  His estranged brother Brady grows, sells and smokes marijuana back home in rural Oklahoma.

“Leaves of Grass” turns out to be more intelligent tragicomedy and philosophical study of the human condition than traditional stoner comedy.
 

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Tim Blake Nelson, center, with John Turturro, left, and George Clooney in "O Brother." (Courtesy:  Buena Vista Pictures)

Nelson, whom many will remember as Delmar in the Coen Brothers “O Brother, Where Art Thou?” in 2000, plays Bolger, Brady's Oklahoma sidekick.  In real life, Nelson lives in New York with his three boys and wife Lisa, the former Lisa Benavides of San Antonio.

It doesn’t take a huge leap to figure out where Nelson, a Tulsa, OK native who graduated from Brown University and sent me to the dictionary twice in one day, came up with the concept of these identical twins; one intellectual and the other a back-country hick of sorts.

“The initial conceit was just a guy examining his life trying to live in all the right ways who gets completely sideswiped,” Nelson says.  “That evolved into him being a professor of classical philosophy and him being sideswiped by perhaps his more brilliant identical twin brother who grows hydro/chronic pot back in their home state of Oklahoma.  Then I started thinking of Edward in both roles and I just had a blast writing it.”

In person, Nelson exudes a refreshing combination of academia, good-ol’- boy friendliness and homespun humor.

“I did feel that the American people needed a film about philosophically contrapuntal identical twins.  The tide was just going that way.  I’m surprised I was the only one who recognized it,” he says.

On playing twins, Norton kids that “we’ve come a little ways since Patty Duke,” referring to Duke’s dual role as “identical cousins” on TV’s “The Patty Duke Show” on ABC in the mid-‘60s.

According to Nelson, effects technology has advanced “gorgeously,” making it possible to move the camera around and even have a single actor (Norton) share a scene with his twin.

“It was a fun challenge,” Norton says.  “It’s a different thing than I had done before.  Technically, we knew it would be a jigsaw puzzle; a weird dance that we had to figure out.”

“More than anything, even more than playing the twins, I thought it was not a movie I had actually seen before.  I’m lucky.  I get to read a lot of things and 98 percent of them are a derivative of something I’ve seen many times before,” he adds.

Some movie-goers could be startled by Nelson’s daring double-clutching tone in “Leaves of Grass.”  It’s all part of what he calls investigating the full scope of characters and situations.

“I’m interested, particularly in this movie, not just in the longitudal progression of a movie.  Let’s just call that the straight narrative.  But I like latitude as well.  I think the most interesting movies take those sorts of chances.  The notion of having really comic moments followed by suddenly very violent ones makes for a more daring film, a more interesting film.”

Nelson is a gifted man (writer/director/actor), a spiritual man (Jewish) and a devoted family man.  His wife Lisa and two of his sons appear in “Leaves of Grass.”  When I asked Nelson how he feels now, looking back on the role of Delmar, the dumb-lug pal of prison escapees played by George Clooney and John Turturro in “O Brother, Where Art Thou,” Nelson got very quiet before agreeing with me that it doesn’t get much better than that for an actor.

“I still don’t know why or how that happened,” he says.  “It’s just extraordinary.  It is the moment, professionally, that changed my life.  Because it changed my life professionally, it really changed my life in every other way as well.

“I wonder what my wife would say about this, but I don’t know if we would have three children if it weren’t for ‘O Brother’ just because of what it allowed for me in terms of lifestyle and being able to stay in New York and continue with my career.

“Until Joel (Coen) called me to play that role, I was pretty much consigned to doing a lot of theater but mainly playing what my Off-Broadway friends in New York and I call hallway parts.”

Hallway parts?

“You walk along a hallway with Edward and give him some information so he can get busy with the rest of the story,” he adds.