6 posts categorized "Film"

10/22/2010

Juliette Lewis renews movie 'Conviction'

Conpic540 
After five years or so away from movies to pursue a musical career, Academy Award nominee Juliette Lewis (Martin Scorsese's "Cape Fear") is back.

Trouble is, you might not recognize the former co-star of "Kalifornia," "Natural Born Killers" and, more recently, "Whip It" and "The Switch," who stopped off in Dallas recently to discuss her latest role.

Kali251 In "Conviction," the based-on-real life drama starring Hilary Swank, Sam Rockwell and Minnie Driver, Lewis disappears behind thick makeup (including caked-over teeth) to portray Roseanna Perry, a key witness in the conviction of Kenny Waters (Rockwell) in the early 1980s.  Kenny's sister Betty Anne (Swank) puts her life on hold for years to get a law degree with the sole intent of proving her brother's innocence.

While it's only a small role, Perry's testimony is pivotal to the case, and so is Lewis's acting to the intense drama.

QUESTION:  Were you worried at all about all that makeup you had to do for that role?

ANSWER:  Oh no, I loved it.  It's what I sort of live for.  I tell people I didn't start making movies to play myself.  So this actually is a unique role for me in that I've never transformed so completely.  There's absolutely nothing like me in the role.

I don't know why -- I guess my parents raised me in a nice way -- but I didn't grow up with a lot of vanity.  It's projected on us a lot as women, and young men as well, in our consumer society to focus on what we look like all the time.  I kind of rebel against all of that stuff.  So, for me, it's a pleasure to do this. 

Q:  With only two scenes, you have to really express a lot.

A:  It was funny to do a role so small, but have so much in both those scenes.  That was my intention, anyway.  I wanted to have a complete presence in both places.  It's an 18-year lifespan.  When you first meet her, it starts with the eyes, showing this kind of damaged soul and that she's vindictive.  Then you meet her 18 years later in her trailer.

Q:  Were you able to find out much about her?

A:  Everything I say in the movie, about 98 percent of my dialogue, is from transcripts of interviews that she gave.  Her bad grammar, the wrong use of phrases, that's all her speaking.

Q:  It's good to see you back on a movie screen.

A:  Yeah, I was making music for about five years.  When I started, people were like, "What?  What are you doing?"  I always knew I was going to do it.  I was always, in my heart of hearts, a songwriter, a singer.  But that felt closer to myself, so it's actually something a bit more vulnerable to do.

Q:  How big is your role in "Due Date" (opening Nov. 5)?

A:  It's a cameo (as a single mom pot dealer).  Basically, I've just been bouncing around in different films.  I did "The Switch" with Jennifer Aniston.  I played her best friend.  The next roles that I can't talk about yet will be bigger parts.  This has sort of just been my re-emergence into film.

Q:  What do you remember about your role in "Kalifornia" (1993) at this point?

A:  I remember a lot.  It was such an important film for me in my development as a character actress.  It's actually what I call my first official character in that I changed my voice a little bit.  I talked higher.  It tells in the story that she had a traumatic incident when she was younger.  I feel like she's lost there in time; like the mentality of a 9-year-old.  All these elements went into creating this really sweet character.

("Conviction" poster courtesy:  Fox Searchlight Pictures/"Kalifornia" poster courtesy:  Gramercy Pictures)   

10/07/2009

Doug Bruner: 'Zombieland' a real trip

 

Zomuse
Woody Harrelson breaks out the banjo in "Zombieland."  (Columbia Pictures)

I just saw "Zombieland" today and it was a real trip!

Bill Murray's house was showcased and was fabulous. It is what you would expect a movie star to live in.

Woody Harrelson really stole the show with his dry humor and ability to eliminate those pesky zombies. There is blood and gore in this flick but there are also some funny lines too.

And there is one goof up I noticed. Woody and his friends are on a freeway in Los Angeles driving to an amusement park. Wrecked cars are all over the place (as they have been all through the movie). However,for a few seconds,I saw a street several blocks from the freeway that had all the cars properly parked along the curb and not a zombie in sight.

Oh, yeah! I liked this movie! I'll give it three stars! What do you think?

08/16/2009

Alex O.: 'District 9' a 'triple A sci-fi action flick'

Hello Larry.

("District 9") was a good flick. Not for everyone's tastes, but solid filmmaking was definitely in full display.

I did think the movie went into too many directions (a mocumentary, horror, and action film rolled into one), but the special-effects are dazzling, the acting solid and the action spectacular.

In (other) words, this was the best summer movie since "Star Trek". Forget "Transformers" and "Terminator", this was the triple A sci-fi action flick of the season. 

08/10/2009

Alex Ozuna on 'G.I. Joe'

Hey Larry, I went to a midnight showing of the movie you refuse to name. Bottomline: unless you're a 9 year old boy who plays with action figures, you're most likely going to be disappointed. I tried to enjoy it as being dumb summer fun, but felt that I was just watching a live-action cartoon made for pre-teens. I dare say that even "Transformers 2" was slightly better! 1.2 stars out of 4.

P.S. I knew Stephen Sommers would let fans down, but I had no idea that he would be making the film for kids. I thought it would've been a litte more "movie-like".

Alex Ozuna

05/20/2009

Alex O. on 'Angels & Demons'

Hey Larry. I saw the pic two days ago. It wasn't bad, but for some reason I enjoyed "Da Vinci" more. Still, A & D was a better pic overall. It's filled with great atmosphere and the storyline (while silly) involves the audience.

Alex O.

03/29/2009

Laura Bray on screenplays, timelines

As a writer and an aficionado of superior screenplays (“Terminator: The Sarah Connor Chronicles” and the late, lamented “Battlestar” being the two finest recent TV examples), two contrivances drive me nutz:

1) Snipping the final scene from, well, the end and pasting it onto the beginning. The writer can’t figure out how to catch our attention from the get-go, so he starts out with the big bang (quite literally in “Michael Clayton”).

2) Timeline-hopping (most of the time).

Writer/director Tony Gilroy has pushed those both buttons in his two most recent films. I enjoyed “Duplicity,” but the “keep you guessing” part shouldn’t result from constantly having to reacquaint the viewer with where he sits on the timeline.

laurabray (on Twitter)

(Comment on trailers: *my* but Christian Bale has been a busy boy lately, hasn’t he?)